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Fred Dekker

Appearing All Weekend

Fred Dekker (born April 9, 1959) is an American screenwriter and film director best known for his cult classic horror comedy films Night of the Creeps and The Monster Squad (written with Shane Black). He contributed the story ideas for House (1986) and Ricochet (1991), and also directed and co-wrote RoboCop 3 with Frank Miller.

One of his earliest movies was a short film he made in college titled Starcruisers, directed in the early 1980s.

In 1983, film director Steve Miner hired Dekker to write the first draft for Godzilla: King of the Monsters in 3D, a project which went unproduced. Dekker's first success came in 1986: a 15-page

treatment that was expanded into a full screenplay by writer Ethan Wiley for what would become the 1986 comedy horror film House. The film was nominated for the International Fantasy Film Award at the Fantasporto Film Festival, and earned its director Steve Miner the Critics' Award at the Avoriaz Fantastic Film Festival. That same year, Dekker made his directorial debut with Night of the Creeps, the script for which was written in only a week. The film, an homage to B-movies of the 1950s and 60s, has since become a cult classic.

His next film The Monster Squad was co-written with his friend and long-time collaborator Shane Black. It is an homage to the Universal "monster cycle" of films produced between the early 1930s to mid-1950s. Like his previous film, it has since become a cult classic. Dekker subsequently wrote five episodes of the Tales from the Crypt television series, and directed one. He co-wrote the neo-noir Ricochet and the spy comedy If Looks Could Kill. His return to the director's chair came in 1992 when he directed the third installment in the RoboCop series, co-writing the screenplay with comic book writer Frank Miller.

Dekker worked as a script doctor, making uncredited contributions to films including Titan A.E. and Lethal Weapon 4. He also wrote three episodes of Star Trek: Enterprise in the early 2000s. In 2015, after a lengthy hiatus, he returned to filmmaking by co-writing a television pilot, Edge, for Amazon Studios, with Black. He co-wrote the 2018 film The Predator with Black, who also directed the film.


Photograph Session


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Autograph Session


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